Three is Enough

art commentary in just three words

Tuesday, August 31, 2010

Gerrit Rietveld's 'Red and Blue Chair' (1917)



Destijl in 3D
Posted by Gabriella Perez at Tuesday, August 31, 2010
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Labels: Collection of the Museum of Modern Art, New York

Monday, August 30, 2010

Max Ernst's 'Europe After the Rain II' (1940-42)

Where is Loplop?
Posted by Gabriella Perez at Monday, August 30, 2010
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Labels: Collection of the Wadsworth Atheneum

Sunday, August 29, 2010

'Greek Kouros' (530 BC or modern forgery)

"Or modern forgery"
Posted by Gabriella Perez at Sunday, August 29, 2010
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Labels: Collection of the Getty Museum, Los Angeles

Saturday, August 28, 2010

Keith Haring's 'Anti-Nuclear Rally' (1982)

Modern day hieroglyphs
Posted by Gabriella Perez at Saturday, August 28, 2010
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Labels: Courtesy of the Keith Haring Foundation

Friday, August 27, 2010

George Seurat's 'La Grande Jatte' (1884-86)


Divisionism, not pointillism!
Posted by Gabriella Perez at Friday, August 27, 2010
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Labels: Collection of the Art Institute of Chicago

Thursday, August 26, 2010

Buckminster Fuller's 'Dome Over Manhattan Island' (1960)


21st-century thinker
Posted by Gabriella Perez at Thursday, August 26, 2010
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Labels: Collection of Stanford University Library

Wednesday, August 25, 2010

Horst P. Horst's 'Costume for Salvador Dalí’s 'Dream of Venus'' (1939)


70 years later...
Posted by Gabriella Perez at Wednesday, August 25, 2010
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Labels: Collection of the Musée d'Orsay, New York

Tuesday, August 24, 2010

Gustave Courbet's 'A Burial at Ornans' (1849-50)


So begins Realism
Posted by Gabriella Perez at Tuesday, August 24, 2010
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Labels: Collection of the Musée d'Orsay, Paris

Monday, August 23, 2010

Otto Dix's 'Sylvia von Harden' (1926)


Reverence of repugnance
Posted by Gabriella Perez at Monday, August 23, 2010
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Labels: Collection of the Pompidou, Paris

Saturday, August 21, 2010

Henri Mattise's 'Black Sketch' (1954)


Line's compositional power
Posted by Gabriella Perez at Saturday, August 21, 2010
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Labels: Elements of composition

Friday, August 20, 2010

Tony Smith's 'Moondog' (1964)


Form's compositional power
Posted by Gabriella Perez at Friday, August 20, 2010
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Labels: Elements of composition

Thursday, August 19, 2010

Kenneth Noland's 'Beginnings' (1958)


Shape's compositional power
Posted by Gabriella Perez at Thursday, August 19, 2010
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Labels: Elements of composition

Wednesday, August 18, 2010

Yves Klein's 'IKB 191' (1962)

Color's compositional power
Posted by Gabriella Perez at Wednesday, August 18, 2010
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Labels: Elements of composition

Tuesday, August 17, 2010

Pablo Picasso's 'Eight States of the Bull' (1945-46)


Path to abstraction
Posted by Gabriella Perez at Tuesday, August 17, 2010
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Labels: Collection of the Musée Picasso, Paris

Monday, August 16, 2010

Franz Kline's Liquor Tab (1960)

Inflation adjustment: $1,960
Posted by Gabriella Perez at Monday, August 16, 2010
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Sunday, August 15, 2010

Bridget Riley's 'Cataract 3' (1967)


Magic Eye
's predecessor?
Posted by Gabriella Perez at Sunday, August 15, 2010
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Labels: Courtesy of the British Council Collection

Saturday, August 14, 2010

The Stuckist Manifesto (1999)


I totally agree
Posted by Gabriella Perez at Saturday, August 14, 2010
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Friday, August 13, 2010

Jackson Pollock's 'Full Fathom Five' (1947)



Linear and painterly!
Posted by Gabriella Perez at Friday, August 13, 2010
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Labels: Collection of the Museum of Modern Art, New York

Thursday, August 12, 2010

'Augustus of Prima Porta' (1st Century AD)


Long live SPQR
Posted by Gabriella Perez at Thursday, August 12, 2010
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Labels: Collection of the Vatican Museum, Holy Sea

Wednesday, August 11, 2010

Tony Tasset's 'EYE' (2010)

Notice the pupil
Posted by Gabriella Perez at Wednesday, August 11, 2010
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Labels: In situ: Downtown Chicago

Tuesday, August 10, 2010

Reperformance of John Cage's "4'33" (1952)



Hearing through silence
Posted by Gabriella Perez at Tuesday, August 10, 2010
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Monday, August 9, 2010

Jean-Honoré Fragonard's 'The Swing' (1766)


Rococo's most frivolous
Posted by Gabriella Perez at Monday, August 09, 2010
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Labels: London, The Wallace Collection

Friday, August 6, 2010

Felix Gonzalez-Torres' 'Untitled (Perfect Lovers)' (1991)


Time's inevitable entropy
Posted by Gabriella Perez at Friday, August 06, 2010
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Labels: Collection of the Museum of Modern Art, New York

Thursday, August 5, 2010

Romney Dodd's 'Love Cookie Champagne' Clogs


Just like Palin's!
Posted by Gabriella Perez at Thursday, August 05, 2010
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Wednesday, August 4, 2010

Louise Bourgeois (1911-2010)


Rest in peace
Posted by Gabriella Perez at Wednesday, August 04, 2010
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Tuesday, August 3, 2010

Maurizio Cattlena's 'Exhausted' (1993)


Today's momento mori
Posted by Gabriella Perez at Tuesday, August 03, 2010
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Labels: Courtesy of Marian Goodman Gallery, New York

Monday, August 2, 2010

Wangechi Mutu's 'The Bride Who Married a Camel's Head' (2009)


Tortured yet empowered
Posted by Gabriella Perez at Monday, August 02, 2010
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Labels: Courtesy of Susanne Veilmatter Gallery, Los Angeles

Sunday, August 1, 2010

Andy Warhol's 'Empire' (1964)



Watch time pass
Posted by Gabriella Perez at Sunday, August 01, 2010
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Labels: Collection of the Museum of Modern Art, New York
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